The Short Fiction Competition is open for entries! The judge is the dazzling Tommy Orange, whose debut novel, There There, won the 2019 PEN/Hemingway Award, was a finalist for the 2019 Pulitzer Prize for Fiction, and was among the most acclaimed books of the year...
Autumn de Wilde
Autumn de Wilde
H. P. Lovecraft
NEWS & EVENTS
The editors are thrilled to announce the release of the Summer 2019 edition, designed by the seminal punk photographer Ruby Ray, with contributions from BBC National Short Story Award-winner Sarah Hall and the late Christopher Isherwood, among others...
Three stories from our 2018 catalog have been selected for inclusion in the Best American Short Stories 2019 anthology...
FROM THE ARCHIVE
A Note on the Design
For many years playing music on the road was great cover for me to shoot photos. I loved touring, but it was an endless grind, a great life destabilizer, and a preventer of healthy relationships. Still, realizing I could steal those endless hurry-up-and-wait hours and convert them into exposed 35mm film—that was a major draw, and the only reason I could have possibly ended up in Perth or Osaka or Ljubljana with plenty of downtime was because of the wonderfully inefficient superstructure of a rock tour.
I started out with a loaner Pentax K1000 with a 28mm lens. That almost-wide-angle is what got me hooked: the odd focal length introduced all kinds of unpredictable effects, from endless lens flares and light leaks to perspective distortions. I’m an analog-tape obsessive, so the decision to shoot film was unconscious. But I soon came to love those little rolled-up . . .