Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Autumn de Wilde

Contributors

Autumn de Wilde
Elizabeth McCracken
Yiyun Li
Ben Fountain
H. P. Lovecraft

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NEWS & EVENTS

News and Events

Short Fiction Competition Is Open!

The Short Fiction Competition is open for entries! The judge is the dazzling Tommy Orange, whose debut novel, There There, won the 2019 PEN/Hemingway Award, was a finalist for the 2019 Pulitzer Prize for Fiction, and was among the most acclaimed books of the year...

Summer Is Here

The editors are thrilled to announce the release of the Summer 2019 edition, designed by the seminal punk photographer Ruby Ray, with contributions from BBC National Short Story Award-winner Sarah Hall and the late Christopher Isherwood, among others...

FROM THE ARCHIVE

Story artwork by guest designer Mickalene  Thomas

Forty Words
Yannick Murphy

When I was a girl I had a doll that was my size. She had a wardrobe that matched my own. When I wore the rabbit-fur muff and the rabbit-fur hat and went ice-skating, she’d wear them, too, and she’d sit beside my limousine driver, watching me. Sometimes I’d tell Michel that my doll had to sit on his lap, and while I skated in circles I’d wave to her, and Michel, thinking I was waving to him, would wave back. When it grew dark, I wouldn’t want to go home. I wouldn’t want to go back to my apartment where the heat was always on high and coming out of the vent, continually making the drapes in my room shudder. Michel would appear at the railing holding my doll, and he’d call for me, telling me that it was time to leave, that Central Park was not a place for a ten-year-old girl at night.
     “Your NouNou is preparing your dinner,” he’d say . . .

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