In my practice, I have strived to celebrate and uplift Indigenous cultures and allow the complexities of history to merge into new combinations that reconsider narratives, propose counter-narratives, and push against antiquated notions of identity. As I’ve been able to spend more time in my studio during the pandemic, I began looking at older bodies of work and considering them within the context of the current social and political upheaval.
For the design of this issue of Zoetrope: All-Story, I opened up my studio’s . . .