Kelly Reichardt
On March 10, I was in Cambridge, MA. It was the last night of a truncated tour for the would-have-been theatrical release of my film First Cow. As Harvard students scrambled to pack up and clear campus, First Cow screened at the Harvard Film Archive with limited seating. During the Q&A, an audience member refused to handle the microphone that was being passed around. The host read this as bad behavior and would not allow the mic-less question to be asked. After the screening, I attempted to arrange for a car . . .