Zoetrope: All-Story
Historic Zoetrope Building
  • Current Issue Cover
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
  • Past Issue Cover
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
  • Subscribe to all-story
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Juman Malouf

Contributors

Jamil Jan Kochai
Stuart Dybek
Wes Anderson
Hanan Al-Shaykh

Buy

NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2021 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work.

From nearly 2,000 submissions, guest judge and 2021 Pulitzer Prize finalist Daniel Mason honored the following stories . . .

Spring 2022 Edition

The editors are thrilled to announce the release of the Spring 2022 edition, designed by the acclaimed illustrator and costume and set designer Juman Malouf, with contributions from Oscar-nominated filmmaker Wes Anderson, MacArthur fellow Stuart Dybek, and PEN/Hemingway Award finalist Jamil Jan Kochai, among others.

Five Questions with Juman Malouf

Why did you accept the invitation to design the Spring 2022 edition of All-Story?
Zoetrope: All-Story is the only magazine I still receive in the mail! I always enjoy the stories—but, also, I love seeing how the designers completely reinvent each issue, which is always unexpected and wildly different from the last. I wanted a shot at it.

FROM THE ARCHIVE

Story artwork by guest designer Kelly Reichardt

Tracing Notes
Kelly Reichardt

On March 10, I was in Cambridge, MA. It was the last night of a truncated tour for the would-have-been theatrical release of my film First Cow. As Harvard students scrambled to pack up and clear campus, First Cow screened at the Harvard Film Archive with limited seating. During the Q&A, an audience member refused to handle the microphone that was being passed around. The host read this as bad behavior and would not allow the mic-less question to be asked. After the screening, I attempted to arrange for a car to get my friend back to New York City. “Stop being an alarmist!” she said, insisting she would take the train. On the flight home to Portland, OR, no one wore masks. I did wipe down the window area and tried not to touch anything. A chatty but interesting man sat on the aisle. I don’t recall worrying about his breath floating over and hitting my face as we talked through the flight.

When I . . .

PAST EDITIONS

Subscribe to All-Story
Subscribe to All-Story