The 2021 Short Fiction Competition closed for entries October 1. Guest judge and finalist for the 2021 Pulitzer Prize for Fiction Daniel Mason will award the first prize of $1,000; the second prize of $500; and the third prize of $250; and the three prizewinners and seven honorable mentions will be considered for representation by William Morris Endeavor; ICM; the Wylie Agency; Regal Literary; Dunow, Carlson & Lerner Literary Agency; Markson Thoma Literary Agency; Inkwell Management; Sterling Lord Literistic; Aitken Alexander Associates; Barer Literary; the Gernert Company; and the Georges Borchardt Literary Agency.
T. C. Boyle
NEWS & EVENTS
The editors are thrilled to announce the release of the Fall 2021 edition, designed by the acclaimed musician, actor, and visual artist Tunde Adebimpe, with contributions from PEN/Faulkner Award winner T. C. Boyle, MacArthur Fellow Yiyun Li, and Booker Prize finalist David Means, among others.
Why did you accept the invitation to design the Fall 2021 edition of All-Story?
I’m a big fan of the publication and was really honored to be asked. I had spent a lot of the pandemic drawing and painting, just to draw and paint more, so I was in that mindset when the opportunity came up. I also hadn’t made anything to be printed in a book or art-book format for a long while and was excited to have a venue for all these new images.
FROM THE ARCHIVE
Notes on Design
What deep wounds ever closed without a scar?
I paint from historical photographs. My subjects have been prostitutes, refugees, street performers, soldiers, laborers, and prisoners, among others. By washing these subjects in veils of dripping linseed oil, I both preserve and destroy the image. My style has been called a kind of weeping realism that embodies ideas like the erosion of memory and the passage of time. I try to summon the ghosts of history into the present.
I was born in China in 1948, near the end of the civil war between the Nationalists and the Communists. In 1968—at the age of twenty—I was sent to the countryside for proletarian reeducation during the Cultural Revolution. I worked as a peasant for four years, mostly growing wheat and corn. I remember one day looking up from the field and seeing an airplane high overhead, cutting silently through the sky. I wondered where it was . . .