Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Juman Malouf

Contributors

Jamil Jan Kochai
Stuart Dybek
Wes Anderson
Hanan Al-Shaykh

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NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2021 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work.

From nearly 2,000 submissions, guest judge and 2021 Pulitzer Prize finalist Daniel Mason honored the following stories . . .

Spring 2022 Edition

The editors are thrilled to announce the release of the Spring 2022 edition, designed by the acclaimed illustrator and costume and set designer Juman Malouf, with contributions from Oscar-nominated filmmaker Wes Anderson, MacArthur fellow Stuart Dybek, and PEN/Hemingway Award finalist Jamil Jan Kochai, among others.

Five Questions with Juman Malouf

Why did you accept the invitation to design the Spring 2022 edition of All-Story?
Zoetrope: All-Story is the only magazine I still receive in the mail! I always enjoy the stories—but, also, I love seeing how the designers completely reinvent each issue, which is always unexpected and wildly different from the last. I wanted a shot at it.

FROM THE ARCHIVE

Story artwork by guest designer John  Vanderslice

My Own Private Idaho
Gus Van Sant

Released twenty-five years ago, in 1991, and starring River Phoenix and Keanu Reeves, My Own Private Idaho remains a landmark of American independent cinema. The source story appears publicly for the first time.

IDAHO

A boy enters the frame wearing an oversize Texaco gas station attendant’s shirt with the name Mike sewn on it. His name is George. He is a twelve-year-old Chicano. He has a six-year-old dog with him that looks like an Australian dingo. The clouds are puffy against a deep blue sky. The road is red, with a solid white line dividing the two lanes.
      George looks at the road, he talks to someone offscreen. He says, “You can always tell where you are by the way the road looks. Like I just know I’ve been to this place before . . .

PAST EDITIONS

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