Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Juman Malouf

Contributors

Jamil Jan Kochai
Stuart Dybek
Wes Anderson
Hanan Al-Shaykh

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NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2021 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work.

From nearly 2,000 submissions, guest judge and 2021 Pulitzer Prize finalist Daniel Mason honored the following stories . . .

Spring 2022 Edition

The editors are thrilled to announce the release of the Spring 2022 edition, designed by the acclaimed illustrator and costume and set designer Juman Malouf, with contributions from Oscar-nominated filmmaker Wes Anderson, MacArthur fellow Stuart Dybek, and PEN/Hemingway Award finalist Jamil Jan Kochai, among others.

Five Questions with Juman Malouf

Why did you accept the invitation to design the Spring 2022 edition of All-Story?
Zoetrope: All-Story is the only magazine I still receive in the mail! I always enjoy the stories—but, also, I love seeing how the designers completely reinvent each issue, which is always unexpected and wildly different from the last. I wanted a shot at it.

FROM THE ARCHIVE

Story artwork by guest designer Hung  Liu

Notes on Design
Hung Liu

What deep wounds ever closed without a scar?
—Lord Byron

I paint from historical photographs. My subjects have been prostitutes, refugees, street performers, soldiers, laborers, and prisoners, among others. By washing these subjects in veils of dripping linseed oil, I both preserve and destroy the image. My style has been called a kind of weeping realism that embodies ideas like the erosion of memory and the passage of time. I try to summon the ghosts of history into the present.
     I was born in China in 1948, near the end of the civil war between the Nationalists and the Communists. In 1968—at the age of twenty—I was sent to the countryside for proletarian reeducation during the Cultural Revolution. I worked as a peasant for four years, mostly growing wheat and corn. I remember one day looking up from the field and seeing an airplane high overhead, cutting silently through the sky. I wondered where it was . . .

PAST EDITIONS

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