Zoetrope: All-Story
Historic Zoetrope Building
  • Current Issue Cover
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
  • Past Issue Cover
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
  • Subscribe to all-story
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Sylvia Plachy

Contributors

Sylvia Plachy
’Pemi Aguda
Jim Shepard
Ariel Dorfman
Haruki Murakami
Jack Gain

Buy

NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2021 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work.

From nearly 2,000 submissions, guest judge and 2021 Pulitzer Prize finalist Daniel Mason honored the following stories . . .

Winter 2021/2022 Edition

The editors are thrilled to announce the release of the Winter 2021/2022 Edition, designed by the acclaimed photographer Sylvia Plachy, with contributions from National Magazine Award finalist ’Pemi Aguda, National Book Award finalist Jim Shepard, and Tanizaki Prize–winner Haruki Murakami, among others.

Five Questions with Sylvia Plachy

Why did you accept the invitation to design the Winter 2021/2022 edition of All-Story?
You called at the right time—if you had called half an hour earlier or later . . . I don’t know. The timing was right: I needed a shorter, smaller project. 

Any challenges?
The biggest challenge was to arrange . . .

FROM THE ARCHIVE

Story artwork by guest designer Ruby  Ray

24, Alhaji Williams Street
’Pemi Aguda

Alhaji Williams is a very long street. The plots are small, and many hold clusters of flats. So we had enough time to see what was happening before it was our turn. My turn. By the afternoon the fever reached the fourth house, the rest of the street had braced for its arrival.

Ms. Williams owned the first house on the street named for her great-grandfather. They say that the Alhaji had rolled up his buba sleeves and mixed cement and sand along with the bricklayers, that he’d stood behind his architect and stabbed his finger at the blueprint, threatening to deafen with his orders: “No, the entrance should be on this side.” “Add another arch here!” “I want that butterfly roof!” Ms. Williams was proud of this history, though maintaining the resulting gutter cost a lot.

Whenever I turned off Aderombi and onto our street, I studied this house—repainted a bright . . .

PAST EDITIONS

Subscribe to All-Story
Subscribe to All-Story