The 2021 Short Fiction Competition closed for entries October 1. Guest judge and finalist for the 2021 Pulitzer Prize for Fiction Daniel Mason will award the first prize of $1,000; the second prize of $500; and the third prize of $250; and the three prizewinners and seven honorable mentions will be considered for representation by William Morris Endeavor; ICM; the Wylie Agency; Regal Literary; Dunow, Carlson & Lerner Literary Agency; Markson Thoma Literary Agency; Inkwell Management; Sterling Lord Literistic; Aitken Alexander Associates; Barer Literary; the Gernert Company; and the Georges Borchardt Literary Agency.
T. C. Boyle
NEWS & EVENTS
The editors are thrilled to announce the release of the Fall 2021 edition, designed by the acclaimed musician, actor, and visual artist Tunde Adebimpe, with contributions from PEN/Faulkner Award winner T. C. Boyle, MacArthur Fellow Yiyun Li, and Booker Prize finalist David Means, among others.
Why did you accept the invitation to design the Fall 2021 edition of All-Story?
I’m a big fan of the publication and was really honored to be asked. I had spent a lot of the pandemic drawing and painting, just to draw and paint more, so I was in that mindset when the opportunity came up. I also hadn’t made anything to be printed in a book or art-book format for a long while and was excited to have a venue for all these new images.
FROM THE ARCHIVE
On The Passion of Anna
Translated from the Swedish by Marianne Ruuth
My philosophy (even today) is that there exists an evil that cannot be explained—a virulent, terrifying evil—and humans are the only animals to possess it. An evil that is irrational and not bound by law. Cosmic. Causeless. Nothing frightens people more than incomprehensible, unexplainable evil.
The filming of The Passion of Anna took forty-five days and was quite an ordeal. The screenplay had been written in a white heat. It was more a description of a series of moods than a traditional, dramatic film sequence. Ordinarily I solved any anticipated technical problems immediately in the writing stage, but with this project I chose to deal with the problems during filming. I made this decision to some extent because of a lack of time, but mostly I felt a need to challenge myself . . .