Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
  • Subscribe to all-story
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Sylvia Plachy

Contributors

Sylvia Plachy
’Pemi Aguda
Jim Shepard
Ariel Dorfman
Haruki Murakami
Jack Gain

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NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2021 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work.

From nearly 2,000 submissions, guest judge and 2021 Pulitzer Prize finalist Daniel Mason honored the following stories . . .

Winter 2021/2022 Edition

The editors are thrilled to announce the release of the Winter 2021/2022 Edition, designed by the acclaimed photographer Sylvia Plachy, with contributions from National Magazine Award finalist ’Pemi Aguda, National Book Award finalist Jim Shepard, and Tanizaki Prize–winner Haruki Murakami, among others.

Five Questions with Sylvia Plachy

Why did you accept the invitation to design the Winter 2021/2022 edition of All-Story?
You called at the right time—if you had called half an hour earlier or later . . . I don’t know. The timing was right: I needed a shorter, smaller project. 

Any challenges?
The biggest challenge was to arrange . . .

FROM THE ARCHIVE

Story artwork by guest designer John  Vanderslice

A Note on the Design
John Vanderslice

For many years playing music on the road was great cover for me to shoot photos. I loved touring, but it was an endless grind, a great life destabilizer, and a preventer of healthy relationships. Still, realizing I could steal those endless hurry-up-and-wait hours and convert them into exposed 35mm film—that was a major draw, and the only reason I could have possibly ended up in Perth or Osaka or Ljubljana with plenty of downtime was because of the wonderfully inefficient superstructure of a rock tour.
      I started out with a loaner Pentax K1000 with a 28mm lens. That almost-wide-angle is what got me hooked: the odd focal length introduced all kinds of unpredictable effects, from endless lens flares and light leaks to perspective distortions. I’m an analog-tape obsessive, so the decision to shoot film was unconscious. But I soon came to love those little rolled-up . . .

PAST EDITIONS

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