Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Tunde Adebimpe

Contributors

Tunde Adebimpe
T. C. Boyle
Yiyun Li
David Means
Anakana Schofield

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NEWS & EVENTS

News and Events

Short Fiction Competition

The 2021 Short Fiction Competition closed for entries October 1. Guest judge and finalist for the 2021 Pulitzer Prize for Fiction Daniel Mason will award the first prize of $1,000; the second prize of $500; and the third prize of $250; and the three prizewinners and seven honorable mentions will be considered for representation by William Morris Endeavor; ICM; the Wylie Agency; Regal Literary; Dunow, Carlson & Lerner Literary Agency; Markson Thoma Literary Agency; Inkwell Management; Sterling Lord Literistic; Aitken Alexander Associates; Barer Literary; the Gernert Company; and the Georges Borchardt Literary Agency.

Fall 2021 Edition

The editors are thrilled to announce the release of the Fall 2021 edition, designed by the acclaimed musician, actor, and visual artist Tunde Adebimpe, with contributions from PEN/Faulkner Award winner T. C. Boyle, MacArthur Fellow Yiyun Li, and Booker Prize finalist David Means, among others.

Five Questions with Tunde Adebimpe

Why did you accept the invitation to design the Fall 2021 edition of All-Story?
I’m a big fan of the publication and was really honored to be asked. I had spent a lot of the pandemic drawing and painting, just to draw and paint more, so I was in that mindset when the opportunity came up. I also hadn’t made anything to be printed in a book or art-book format for a long while and was excited to have a venue for all these new images. 

FROM THE ARCHIVE

Story artwork by guest designer Nick   Cave

Notes on Design
Nick Cave

In the house where my wife and I live there is a small room. It is very narrow, with a single window. There is nothing in it. A couple of years ago, by chance I looked inside and saw arranged in the window a pair of little brass pissing-boys I had brought back from Brussels for my twins—one who has since died—and two large, red flowers in a green bottle.

It appeared to have no purpose as the door was always shut and the room was never used. I took a photo of it with my Polaroid app and thought no more about it. I looked again the following week, and the arrangement had changed; there were two ornamental pineapples and two different bottles holding purple flowers.

I took another photo and said nothing to my wife. A week later two identical bottles were added, and the pineapples disappeared. A week later it changed again. This tending of the window has been going on for more than two years now and continues to this day—the arrangements . . .

PAST EDITIONS

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