Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Juman Malouf

Contributors

Jamil Jan Kochai
Stuart Dybek
Wes Anderson
Hanan Al-Shaykh

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NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2021 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work.

From nearly 2,000 submissions, guest judge and 2021 Pulitzer Prize finalist Daniel Mason honored the following stories . . .

Spring 2022 Edition

The editors are thrilled to announce the release of the Spring 2022 edition, designed by the acclaimed illustrator and costume and set designer Juman Malouf, with contributions from Oscar-nominated filmmaker Wes Anderson, MacArthur fellow Stuart Dybek, and PEN/Hemingway Award finalist Jamil Jan Kochai, among others.

Five Questions with Juman Malouf

Why did you accept the invitation to design the Spring 2022 edition of All-Story?
Zoetrope: All-Story is the only magazine I still receive in the mail! I always enjoy the stories—but, also, I love seeing how the designers completely reinvent each issue, which is always unexpected and wildly different from the last. I wanted a shot at it.

FROM THE ARCHIVE

Story artwork by guest designer David Lynch

Freyr
Tommy Orange

They referred to Frank as the guy with the hand that came out of his chest. It doesn’t even make sense. Hand that came out of his chest. It didn’t come out. It was just there. The problem is with language, what it reveals about our biological biases. Our clumsiness regarding all things abnormal. Normal is vanilla, nonspecific, flavorless, colorless, your basic blah nothing default white guy, for example—the stick they have everyone measure himself by. His hand no more came out of his chest than our hands come out of our wrists, and our heads out of our necks. The hand was there like his other two hands were there, only in a different place. He had an extra hand, if extra can or should be used here I’m not sure, maybe it’s better just to say Frank had a third hand, and it was on his chest.
     Frank, if you didn’t know about the hand, wasn’t all that weird, except that may . . .

PAST EDITIONS

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