Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Juman Malouf

Contributors

Jamil Jan Kochai
Stuart Dybek
Wes Anderson
Hanan Al-Shaykh

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NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2021 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work.

From nearly 2,000 submissions, guest judge and 2021 Pulitzer Prize finalist Daniel Mason honored the following stories . . .

Spring 2022 Edition

The editors are thrilled to announce the release of the Spring 2022 edition, designed by the acclaimed illustrator and costume and set designer Juman Malouf, with contributions from Oscar-nominated filmmaker Wes Anderson, MacArthur fellow Stuart Dybek, and PEN/Hemingway Award finalist Jamil Jan Kochai, among others.

Five Questions with Juman Malouf

Why did you accept the invitation to design the Spring 2022 edition of All-Story?
Zoetrope: All-Story is the only magazine I still receive in the mail! I always enjoy the stories—but, also, I love seeing how the designers completely reinvent each issue, which is always unexpected and wildly different from the last. I wanted a shot at it.

FROM THE ARCHIVE

Story artwork by guest designer Cate  Le Bon

Haguillory
Stephanie Soileau

When Haguillory woke at four thirty and went to the kitchen in his shorts and slippers, Dot was already there at the table, tanked up on coffee. He poured himself a cup without much looking at his wife. Outside the kitchen window, his tomatoes blushed in the moonlight. The blue crabs down in the Sabine marshes would have been gorging all night under that bright full moon, and this morning Haguillory planned to catch some.

He fixed his coffee and pretended there was nothing strange about Dot sitting up before dawn, when she was usually in bed until nine or ten. Her joints kept her awake late, and on top of that, she’d get herself all agitated watching the nightly news or reading the paper. How she could stand it, he didn’t know; it was always the same thing: New Orleans this, Katrina that, like those people were the only ones who’d been hit by a storm.

In the wee hours, she would finall . . .

PAST EDITIONS

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