Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Jim Jarmusch

Contributors

Jim Jarmusch
Thomas Pierce
Kristina Gorcheva-Newberry
Ben Stroud
Sara Driver
Paul Bowles

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NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2020 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work. From more than 2,200 submissions, guest judgTéa Obreht has announced results.

Summer 2021 Edition

The editors are thrilled to announce the release of the Summer 2021 edition, designed by the acclaimed filmmaker Jim Jarmusch, with contributions from National Book Foundation 5 Under 35 Award honoree Thomas Pierce, Story Prize winner Ben Stroud, and filmmaker and producer Sara Driver, among others.

Five Questions with Jeffrey Gibson

Why did you accept the invitation to design the Spring 2021 edition of All-Story?
It was an opportunity that I’ve not had previously, and I’m working on a book project for which I’ll be the editor. So I’ve been paying a lot of attention to print material lately, and I thought this would be a perfect chance to have some fun with the format of a publication. 

FROM THE ARCHIVE

Story artwork by guest designer Jim Jarmusch

Introduction to “You Are Not I"
Sara Driver

MAKING OF
In the late seventies, I was enamored with the work of Paul and Jane Bowles. Their books were not always easy to find, especially Jane’s, as they went in and out of print. So when I heard in 1979 that a new collection of Paul’s short stories had been recently published by Black Sparrow Press, I ran to the only place that I knew would carry it: a small, specialized bookstore off Seventh Avenue in the West Village.


With the Collected Stories, 1939–1976 under my arm, I hurried home to dive in. “You Are Not I” was one of the first I read. It is among the very few of Paul’s stories that take place in America, and its ending shocked and dumbfounded me. I thought it would make a great film.


I was required to make a film to complete my master’s degree at NYU, and I knew I would have to adapt Paul’s story with exactly the same thoughts and fee . . .

PAST EDITIONS

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