Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
  • Subscribe to all-story
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Juman Malouf

Contributors

Jamil Jan Kochai
Stuart Dybek
Wes Anderson
Hanan Al-Shaykh

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NEWS & EVENTS

News and Events

Short Fiction Competition

Many thanks to all who entered the 2021 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work.

From nearly 2,000 submissions, guest judge and 2021 Pulitzer Prize finalist Daniel Mason honored the following stories . . .

Spring 2022 Edition

The editors are thrilled to announce the release of the Spring 2022 edition, designed by the acclaimed illustrator and costume and set designer Juman Malouf, with contributions from Oscar-nominated filmmaker Wes Anderson, MacArthur fellow Stuart Dybek, and PEN/Hemingway Award finalist Jamil Jan Kochai, among others.

Five Questions with Juman Malouf

Why did you accept the invitation to design the Spring 2022 edition of All-Story?
Zoetrope: All-Story is the only magazine I still receive in the mail! I always enjoy the stories—but, also, I love seeing how the designers completely reinvent each issue, which is always unexpected and wildly different from the last. I wanted a shot at it.

FROM THE ARCHIVE

Story artwork by guest designer Autumn de Wilde

Notes on Design
Autumn de Wilde

p class="noMargin">I take my camera out to load it moments before I shoot. “Fuck, what the hell is this roll of film from?”


I open a drawer. A lonely roll of film stares up at me. “Fuck, what the hell is this roll of film from?”


I reach in my purse, a pocket, a cupboard. “Fuck, what the hell is this roll of film from?”


Mystery rolls.


When Zoetrope: All-Story asked me to design this edition, I wanted to draw from my archive. After twenty-five or so years as a photographer, I’ve become a librarian of captured souls, friends and lovers, liars and heroes, makers and takers. It’s an endless emotional maze. When I hunt through the archive’s chaos of visual connections and collections, I feel like a survivor. It’s a profound honor and responsibility to care for this ever-expanding graveyard of memory . . .

PAST EDITIONS

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