The 2021 Short Fiction Competition closed for entries October 1. Guest judge and finalist for the 2021 Pulitzer Prize for Fiction Daniel Mason will award the first prize of $1,000; the second prize of $500; and the third prize of $250; and the three prizewinners and seven honorable mentions will be considered for representation by William Morris Endeavor; ICM; the Wylie Agency; Regal Literary; Dunow, Carlson & Lerner Literary Agency; Markson Thoma Literary Agency; Inkwell Management; Sterling Lord Literistic; Aitken Alexander Associates; Barer Literary; the Gernert Company; and the Georges Borchardt Literary Agency.
T. C. Boyle
NEWS & EVENTS
The editors are thrilled to announce the release of the Fall 2021 edition, designed by the acclaimed musician, actor, and visual artist Tunde Adebimpe, with contributions from PEN/Faulkner Award winner T. C. Boyle, MacArthur Fellow Yiyun Li, and Booker Prize finalist David Means, among others.
Why did you accept the invitation to design the Fall 2021 edition of All-Story?
I’m a big fan of the publication and was really honored to be asked. I had spent a lot of the pandemic drawing and painting, just to draw and paint more, so I was in that mindset when the opportunity came up. I also hadn’t made anything to be printed in a book or art-book format for a long while and was excited to have a venue for all these new images.
FROM THE ARCHIVE
Notes on Design: Beyond the Male Gaze
I don’t remember the first time I met Ruby Ray, although I know it was early in 1977, soon after I had moved to San Francisco to go to the SF Art Institute. She appeared on the scene as all of us did: with no credentials, a made-up name, and a powerful (and often self-appointed) permission to participate. In those days, no photographers were ever asked to produce portfolios, they just needed to take their cameras into the fray and, like war journalists, shoot the explosions of passion and rebellion at the blossoming of punk. What elevated Ruby from the many others snapping bands and performers from the side of the stage was that she was one of us. It wasn’t just her position as the primary photo-eye of Search & Destroy magazine, but the fact that we knew her and trusted her as a member of our circle, with entrée into situations that resulted in some of her most enigmatic works . . .