Zoetrope: All-Story
Historic Zoetrope Building
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
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    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  
  • Subscribe to all-story
    Zoetrope: All-Story is Francis Ford Coppola’s internationally acclaimed fiction and art magazine.  

CURRENT EDITION

Guest Designer

Tunde Adebimpe

Contributors

Tunde Adebimpe
T. C. Boyle
Yiyun Li
David Means
Anakana Schofield

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NEWS & EVENTS

News and Events

Short Fiction Competition

The 2021 Short Fiction Competition closed for entries October 1. Guest judge and finalist for the 2021 Pulitzer Prize for Fiction Daniel Mason will award the first prize of $1,000; the second prize of $500; and the third prize of $250; and the three prizewinners and seven honorable mentions will be considered for representation by William Morris Endeavor; ICM; the Wylie Agency; Regal Literary; Dunow, Carlson & Lerner Literary Agency; Markson Thoma Literary Agency; Inkwell Management; Sterling Lord Literistic; Aitken Alexander Associates; Barer Literary; the Gernert Company; and the Georges Borchardt Literary Agency.

Fall 2021 Edition

The editors are thrilled to announce the release of the Fall 2021 edition, designed by the acclaimed musician, actor, and visual artist Tunde Adebimpe, with contributions from PEN/Faulkner Award winner T. C. Boyle, MacArthur Fellow Yiyun Li, and Booker Prize finalist David Means, among others.

Five Questions with Tunde Adebimpe

Why did you accept the invitation to design the Fall 2021 edition of All-Story?
I’m a big fan of the publication and was really honored to be asked. I had spent a lot of the pandemic drawing and painting, just to draw and paint more, so I was in that mindset when the opportunity came up. I also hadn’t made anything to be printed in a book or art-book format for a long while and was excited to have a venue for all these new images. 

FROM THE ARCHIVE

Story artwork by guest designer Kelly Reichardt

Tracing Notes
Kelly Reichardt

On March 10, I was in Cambridge, MA. It was the last night of a truncated tour for the would-have-been theatrical release of my film First Cow. As Harvard students scrambled to pack up and clear campus, First Cow screened at the Harvard Film Archive with limited seating. During the Q&A, an audience member refused to handle the microphone that was being passed around. The host read this as bad behavior and would not allow the mic-less question to be asked. After the screening, I attempted to arrange for a car to get my friend back to New York City. “Stop being an alarmist!” she said, insisting she would take the train. On the flight home to Portland, OR, no one wore masks. I did wipe down the window area and tried not to touch anything. A chatty but interesting man sat on the aisle. I don’t recall worrying about his breath floating over and hitting my face as we talked through the flight.

When I . . .

PAST EDITIONS

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