Short Fiction Competition
Many thanks to all who entered the 2020 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work. From more than 2,200 submissions, guest judge Téa Obreht has announced results.
Many thanks to all who entered the 2020 Short Fiction Competition. We appreciate the opportunity to read such bright and brilliant new work. From more than 2,200 submissions, guest judge Téa Obreht has announced results.
The editors are thrilled to announce the release of the Spring 2021 Edition, designed by the acclaimed artist Jeffrey Gibson, with contributions from Pulitzer Prize-winner Steven Millhauser, PEN/Hemingway Award-winner Tommy Orange, and 2020 Zoetrope: All-Story Short Fiction Competition-winner Deborah Forbes, among others.
Why did you accept the invitation to design the Spring 2021 edition of All-Story?
It was an opportunity that I’ve not had previously, and I’m working on a book project for which I’ll be the editor. So I’ve been paying a lot of attention to print material lately, and I thought this would be a perfect chance to have some fun with the format of a publication.
Translated from the Swedish by Marianne Ruuth
My philosophy (even today) is that there exists an evil that cannot be explained—a virulent, terrifying evil—and humans are the only animals to possess it. An evil that is irrational and not bound by law. Cosmic. Causeless. Nothing frightens people more than incomprehensible, unexplainable evil.
The filming of The Passion of Anna took forty-five days and was quite an ordeal. The screenplay had been written in a white heat. It was more a description of a series of moods than a traditional, dramatic film sequence. Ordinarily I solved any anticipated technical problems immediately in the writing stage, but with this project I chose to deal with the problems during filming. I made this decision to some extent because of a lack of time, but mostly I felt a need to challenge myself . . .